{"id":31916,"date":"2026-07-23T11:58:21","date_gmt":"2026-07-23T09:58:21","guid":{"rendered":"https:\/\/www.coeurssansfrontieres.com\/?p=31916"},"modified":"2026-07-23T16:46:50","modified_gmt":"2026-07-23T14:46:50","slug":"astrid-lehmann","status":"publish","type":"post","link":"https:\/\/www.coeurssansfrontieres.com\/fr\/documents\/livresde\/astrid-lehmann\/","title":{"rendered":"Astrid LEHMANN"},"content":{"rendered":"

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Astrid LEHMANN<\/p>\n

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Fiktion bringt die Nuancen des Erlebten oft treffender zum Ausdruck als ein blo\u00dfer Bericht.
Eine Autorin, die man f\u00fcr ihre Wahrnehmung der deutsch-franz\u00f6sischen Doppelidentit\u00e4t entdecken sollte.<\/em><\/p>\n

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La fiction permet souvent d\u2019exprimer avec plus justesse les nuances du v\u00e9cu qu\u2019un simple r\u00e9cit.
Un auteur \u00e0 d\u00e9couvrir pour sa perception de la double identit\u00e9 franco-allemande.\u00a0<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb1″ admin_label=\u00a0\u00bbDas Kind eines Fremden\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_css_main_element=\u00a0\u00bbwidth: 40%!important;\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ad6baf\u00a0\u00bb text_font_size=\u00a0\u00bb1.7em\u00a0\u00bb text_line_height=\u00a0\u00bb1em\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2vh||false|false\u00a0\u00bb text_text_shadow_style=\u00a0\u00bbpreset2″ text_text_shadow_horizontal_length=\u00a0\u00bb0.1em\u00a0\u00bb text_text_shadow_vertical_length=\u00a0\u00bb0.1em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Die Autorin<\/strong><\/p>\n

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Eine doppelte Identit\u00e4t:<\/strong> 1971 in Frankreich als Tochter einer Pariser Mutter und eines deutschen Vaters geboren, bezeichnet sie sich selbst als \u201efranz\u00f6sische Schwarzw\u00e4lderin\u201c.<\/p>\n

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Nach einer kurzen Kindheit in Frankreich und einer etwas l\u00e4ngeren Jugend im Schwarzwald hat Astrid Lehmann auf drei Kontinenten in gro\u00dfen Metropolen gelebt und gearbeitet. Nach vielen Jahren in der Ferne ist die Autorin und Wildpflanzenp\u00e4dagogin in den Schwarzwald \u00a0zur\u00fcckgekehrt, wo sie ihre ganz pers\u00f6nliche Heimat gefunden hat. Am liebsten ist sie zu Fu\u00df unterwegs, um ganz in die kleinen Sch\u00f6nheiten am Wegesrand einzutauchen. In der Natur sprie\u00dfen auch die Ideen f\u00fcr ihre Geschichten.<\/p>\n

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Astrid LEHMANN<\/h3>\n

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L’auteur<\/b> (ou L’autrice<\/b>)<\/i><\/p>\n

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Une double identit\u00e9 :<\/strong> N\u00e9e en France en 1971 d’une m\u00e8re parisienne et d’un p\u00e8re allemand, elle se d\u00e9finit elle-m\u00eame comme une \u00ab habitante de la For\u00eat-Noire fran\u00e7aise \u00bb (franz\u00f6sische Schwarzw\u00e4lderin<\/em>)<\/p>\n

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Apr\u00e8s une courte enfance en France et une jeunesse un peu plus longue dans la For\u00eat-Noire, Astrid Lehmann a v\u00e9cu et travaill\u00e9 sur trois continents, dans de grandes m\u00e9tropoles. Apr\u00e8s de nombreuses ann\u00e9es pass\u00e9es au loin, l’autrice et p\u00e9dagogue en plantes sauvages est revenue dans la For\u00eat-Noire, o\u00f9 elle a trouv\u00e9 son v\u00e9ritable foyer. Elle pr\u00e9f\u00e8re se d\u00e9placer \u00e0 pied pour s’impr\u00e9gner pleinement des petites beaut\u00e9s qui bordent le chemin. C’est \u00e9galement dans la nature que germent les id\u00e9es de ses histoires.<\/p>\n

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Ihre B\u00fccher…<\/p>\n

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Ses livres ….<\/strong><\/p>\n

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Und der Wind steht still<\/strong><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb1rem\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Inspiriert von einer wahren Geschichte.
Das Schicksal der deutsch-franz\u00f6sischen \u00ab\u00a0Staatskinder\u00a0\u00bb. Viele von ihnen suchen bis heute ihre wahre Identit\u00e4t.
Bretagne, Gegenwart. Die achtzigj\u00e4hrige Alice ist so rau wie die bretonische K\u00fcste und am liebsten allein mit ihrer H\u00fcndin Marguerite. Doch in ihr tobt ein Sturm. Lange schon h\u00fctet sie ein dunkles Geheimnis. Als die Schatten ihrer Geschichte sie einholen, beginnt eine Reise zur\u00fcck in den Schwarzwald – und vielleicht auch zu sich selbst.<\/p>\n

Schwarzwald, 1942.<\/strong> Elsa, eine t\u00fcchtige Magd, lernt beim Tanz den \u00e4lteren Soldaten Heinrich kennen. Bereits beim n\u00e4chsten Heimaturlaub l\u00e4uten die Hochzeitsglocken, dann verliert sich von Heinrich jede Spur im Krieg. Beim franz\u00f6sischen Soldaten Antoine findet Elsa Trost. Doch hat ihre Liebe Zukunft?<\/p>\n

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\u00c9ditions GMEINER Verlag
ISBN : 978-3-8392-8116-1<\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_css_main_element=\u00a0\u00bbwidth: 40%!important;\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ad6baf\u00a0\u00bb text_font_size=\u00a0\u00bb1.7em\u00a0\u00bb text_line_height=\u00a0\u00bb1em\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2vh||false|false\u00a0\u00bb text_text_shadow_style=\u00a0\u00bbpreset2″ text_text_shadow_horizontal_length=\u00a0\u00bb0.1em\u00a0\u00bb text_text_shadow_vertical_length=\u00a0\u00bb0.1em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Et le vent s’arr\u00eate<\/strong><\/p>\n

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Inspir\u00e9 d’une histoire vraie.
Le destin des \u00ab enfants de l’\u00c9tat \u00bb franco-allemands. Nombre d’entre eux recherchent encore aujourd’hui leur v\u00e9ritable identit\u00e9.
Bretagne, de nos jours. \u00c2g\u00e9e de quatre-vingts ans, Alice est aussi \u00e2pre que la c\u00f4te bretonne et pr\u00e9f\u00e8re la compagnie de sa seule chienne, Marguerite. Pourtant, une temp\u00eate fait rage en elle. Elle cache un sombre secret depuis bien longtemps. Lorsque les ombres de son pass\u00e9 la rattrapent, c’est le d\u00e9but d’un voyage de retour vers la For\u00eat-Noire \u2014 et peut-\u00eatre aussi vers elle-m\u00eame.<\/p>\n

For\u00eat-Noire, 1942.<\/strong> Elsa, une servante consciencieuse, fait la connaissance du soldat plus \u00e2g\u00e9 Heinrich lors d’un bal. D\u00e8s sa permission suivante, les cloches du mariage sonnent, puis toute trace de Heinrich se perd dans la guerre. Elsa trouve du r\u00e9confort aupr\u00e8s du soldat fran\u00e7ais Antoine. Mais leur amour a-t-il un avenir ?<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb1″ admin_label=\u00a0\u00bbDas Kind eines Fremden\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_css_main_element=\u00a0\u00bbwidth: 40%!important;\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ad6baf\u00a0\u00bb text_font_size=\u00a0\u00bb1.7em\u00a0\u00bb text_line_height=\u00a0\u00bb1em\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2vh||false|false\u00a0\u00bb text_text_shadow_style=\u00a0\u00bbpreset2″ text_text_shadow_horizontal_length=\u00a0\u00bb0.1em\u00a0\u00bb text_text_shadow_vertical_length=\u00a0\u00bb0.1em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Nur ein kurzer Sommer<\/strong><\/p>\n

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Inspiriert von einer wahren Geschichte
Bretagne, Juni 1940. Deutsche Panzer rollen durch die K\u00fcstenstadt Vannes. Im Chaos der Invasion liegt die junge Anne-Marie in den Wehen und droht, bei der Geburt ihres Kindes zu sterben. Im Gefolge der Wehrmacht ist der frisch ausgebildete Arzt Helmut. Er rettet der jungen Mutter das Leben und im bretonischen Sommer kommen die beiden sich n\u00e4her. Zur gleichen Zeit lebt der sechsj\u00e4hrige Emil mit seiner Familie auf einem abgelegenen Bauernhof im Nordschwarzwald fernab vom Krieg. Anne-Marie, Helmut und Emil, vom Schicksal verbunden, ahnen nicht, wie zerbrechlich ihr Gl\u00fcck ist \u2026<\/p>\n

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\u00c9ditions GMEINER Verlag
ISBN : 978-3-8392-0810-6<\/h3>\n

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Un si court \u00e9t\u00e9<\/strong><\/p>\n

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Inspir\u00e9 d’une histoire vraie.
Bretagne, juin 1940. Des chars allemands envahissent la ville c\u00f4ti\u00e8re de Vannes. Dans le chaos de l’invasion, la jeune Anne-Marie est sur le point d’accoucher et risque de mourir en mettant son enfant au monde. Dans le sillage de la Wehrmacht se trouve Helmut, un m\u00e9decin tout juste dipl\u00f4m\u00e9. Il sauve la vie de la jeune m\u00e8re et, au cours de cet \u00e9t\u00e9 breton, tous deux se rapprochent. \u00c0 la m\u00eame \u00e9poque, le petit Emil, \u00e2g\u00e9 de six ans, vit avec sa famille dans une ferme isol\u00e9e du nord de la For\u00eat-Noire, loin de la guerre. Anne-Marie, Helmut et Emil, unis par le destin, ne se doutent pas \u00e0 quel point leur bonheur est fragile\u2026<\/p>\n

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Begeisterte Stimmen …<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#ad6baf\u00a0\u00bb text_font_size=\u00a0\u00bb1.7em\u00a0\u00bb text_line_height=\u00a0\u00bb1em\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2vh||false|false\u00a0\u00bb text_text_shadow_style=\u00a0\u00bbpreset2″ text_text_shadow_horizontal_length=\u00a0\u00bb0.1em\u00a0\u00bb text_text_shadow_vertical_length=\u00a0\u00bb0.1em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Des appr\u00e9ciations …<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ use_custom_gutter=\u00a0\u00bbon\u00a0\u00bb gutter_width=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb1rem\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u00ab\u00a0Eine anr\u00fchrend zarte Geschichte, mit viel Gef\u00fchl erz\u00e4hlt.\u00a0\u00bb<\/em><\/p>\n

Joan Weng, Autorin, Historikerin<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb1rem\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u00ab Une histoire touchante et d\u00e9licate, racont\u00e9e avec beaucoup d’\u00e9motion. \u00bb<\/em><\/p>\n

Joan Weng, autrice et historienne<\/p>\n

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Astrid Lehmann wurde offiziell f\u00fcr die Shortlist des DELIA-Preises 2026 in der Hauptkategorie (unterhaltsame Liebesromane) nominiert. Der DELIA-Preis (DELIA-Literaturpreis) ist ein deutscher Literaturpreis, der j\u00e4hrlich die besten deutschsprachigen Liebesromane auszeichnet. Sie erhielt diese Nominierung f\u00fcr ihren Roman Nur ein kurzer Sommer.<\/em><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb1rem\u00a0\u00bb custom_margin=\u00a0\u00bb3vh||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Die Jury sagt \u00fcber das Buch:<\/strong><\/p>\n

\u201eWie bitters\u00fc\u00df ist eine Liebe, deren Zeit begrenzt zu sein scheint! Dieser eine, einzige Sommer birgt die Gef\u00fchle eines ganzen Lebens. Dieser Roman ist eine Hommage an die Momente, die unendlich kostbar sind, gerade weil sie nicht ewig dauern k\u00f6nnen. Die Liebe zwischen den beiden Hauptfiguren \u00fcberwindet Grenzen und Vorurteile und zeigt, dass einzig und allein der Mensch z\u00e4hlt, dem man begegnet, egal woher er kommt und wohin er gehen muss. Man f\u00fchlt mit den Figuren und erlebt die Entwicklung ihrer Gef\u00fchle f\u00fcreinander hautnah, aber auch ihr sehr zerbrechliches Gl\u00fcck, das bewusst macht, den Moment zu leben, denn er kann viel zu schnell vorbei sein. Eine Geschichte, leise, intensiv und voller emotionaler Wahrhaftigkeit, die zeigt, wie zerbrechlich und zugleich widerstandsf\u00e4hig Hoffnung sein kann, und deshalb lange nachwirkt.\u201c<\/p>\n

i.A. Petra Schier Juryvorsitzende<\/em><\/p>\n

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Astrid Lehmann a \u00e9t\u00e9 officiellement s\u00e9lectionn\u00e9e sur la shortlist du prix DELIA 2026 dans la cat\u00e9gorie principale (romans adultes). Le prix DELIA (DELIA-Literaturpreis) est un prix litt\u00e9raire allemand qui r\u00e9compense chaque ann\u00e9e les meilleurs romans d’amour de langue allemande. Elle a re\u00e7u cette nomination pour son roman Nur ein kurzer Sommer.<\/em><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb1rem\u00a0\u00bb custom_margin=\u00a0\u00bb3vh||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Le jury dit \u00e0 propos du livre :<\/strong><\/p>\n

\u00ab Comme il est aigre-doux, cet amour dont le temps semble compt\u00e9 ! Ce seul et unique \u00e9t\u00e9 contient les sentiments d’une vie enti\u00e8re. Ce roman est un hommage aux instants d’une infinie pr\u00e9ciosit\u00e9, pr\u00e9cis\u00e9ment parce qu’ils ne peuvent durer \u00e9ternellement. L’amour entre les deux personnages principaux d\u00e9passe les fronti\u00e8res et les pr\u00e9jug\u00e9s, d\u00e9montrant que seule compte la personne que l’on rencontre, peu importe d’o\u00f9 elle vient et o\u00f9 elle doit aller. On partage les \u00e9motions des personnages et l’on vit au plus pr\u00e8s l’\u00e9volution de leurs sentiments mutuels, ainsi que leur bonheur si fragile, qui nous rappelle de vivre l’instant pr\u00e9sent, car il peut s’\u00e9vanouir bien trop vite. Une histoire tout en retenue, intense et pleine de v\u00e9rit\u00e9 \u00e9motionnelle, qui montre \u00e0 quel point l’espoir peut \u00eatre \u00e0 la fois fragile et r\u00e9sistant, et qui laisse ainsi une impression durable. \u00bb<\/p>\n

P.o. Petra Schier, pr\u00e9sidente du jury<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

La fiction permet souvent d\u2019exprimer avec plus justesse les nuances du v\u00e9cu qu\u2019un simple r\u00e9cit. 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